The New Circular Stride: Are We Teaching Hitters to Move Backwards?
Ever watch a kid take batting practice and see that same old, stiff, straight-ahead step into the ball? You know the one. It looks like they’re marching toward the pitcher, all rigid and predictable. Now, think about the best hitters you see on TV. Watch their feet. There’s a flow to it, almost a little dance. That’s not just flair for the cameras. That’s what the smart folks are starting to call the circular stride, and it might just be the biggest quiet shift in how we think about hitting since someone decided a lighter bat was a good idea.
For years, the coaching mantra was simple: stride straight to shorten your swing and make contact. Sounds logical, right? But what if that direct line is actually putting up a roadblock for the very power we’re trying to create? The latest research into how the body actually generates force is starting to paint a very different picture. It turns out that a hitter’s lower body works a lot like the engine of a car. A straight stride is like trying to drive with the parking brake on. A circular one? That’s opening up the throttle.
Don’t let the name throw you. We’re not talking about drawing perfect circles in the batter’s box with your cleats. It’s not some wild, complicated dance move. The circular stride is really about the path your front foot takes as you get ready to swing.
A traditional, linear stride is a direct movement from Point A (your stance) to Point B (your foot plant), straight toward the pitcher. A circular stride adds a subtle, inward turn or “gather” before the foot moves forward. Imagine you’re gently squashing a bug with the inside of your back foot before you step. That little inward coil of the back knee and hip is the secret sauce. Your front foot then lifts and moves forward in a slight arc, landing softly. The whole motion creates a winding, coiling sensation in your core—like you’re a spring being loaded, not a soldier taking a step.
This isn’t some brand-new, futuristic concept. Watch a slow-motion replay of a hitter like Mookie Betts or Mike Trout. You’ll see that gather. You’ll see that front foot drift inward just a hair before it plants. They aren’t stepping at the pitcher; they’re coiling against the pitcher. That distinction is everything.
So why does this little loop-de-loop with the foot matter? It all comes down to what biomechanists call the “kinetic chain.” Fancy term, simple idea: it’s the sequence of how energy travels from the ground up through your body and into the bat. If that sequence gets broken or inefficient, you lose power and, worse, you put extra strain on your joints.
Think of it like cracking a whip. The energy starts in your hand, travels through the length of the whip, and snaps at the very tip. If you try to crack a whip by just moving your wrist, you get a sad little flick. You need the whole arm. Hitting is the same. The power starts from the ground, moves up through your legs, rotates your hips and torso, and finally unleashes through your arms and the bat. A straight stride can interrupt this flow. You end up pushing forward with your upper body to catch up, which is a one-way ticket to weak ground balls and a sore back.
Research from the University of Pittsburgh highlights how critical the lower body is for this energy transfer. Their work shows that efficient leg use is the foundation for both power and keeping an arm healthy. Now, translate that to hitting. That little “gather” in the circular stride is what properly engages your legs and back hip. It’s what creates what the second research article calls “hip-to-shoulder separation”. This is the magic ingredient. It’s the point where your hips have already started firing forward while your shoulders are still turned back. That twist in your core is where a huge amount of power is stored—like winding up a rubber band. A linear stride often limits how much of this separation you can create. A circular one encourages it naturally.
The data on stride length from the other studies is also telling. They suggest an optimal stride is around 85% of a player’s height for pitchers. While hitters aren’t pitchers, the principle of a controlled, balanced stride holds true. The circular pattern promotes a more controlled, athletic step. It prevents over-striding (which kills power) because the motion is more about rotation than a lunge. You stay balanced over that powerful back leg longer, which gives you a better chance to adjust to a curveball that’s not a fastball.
This might be the most underappreciated benefit. Hitting is arguably more about timing than it is about brute strength. The problem with a rigid, straight stride is that it often forces a hitter to commit their weight forward too early. It’s like announcing, “I’m swinging now, pitcher, hope you threw a fastball!” Once you’re lunging forward, it’s incredibly hard to stop or adjust.
A circular stride, with its emphasis on staying back and rotating, buys you precious milliseconds. That coiling action keeps your head quieter and your weight centered. Your front foot lands softer, almost like a cat stepping, allowing you to hold back just a little longer to recognize the pitch. The third research article touches on this, noting how stride mechanics can directly influence a player’s ability to track the ball. When you’re not falling forward, your eyes have a more stable platform to work from. You’re not just guessing; you’re giving yourself a real chance to see if that spin is a slider or a fastball. It turns a desperate lunge into a patient, powerful turn.
Okay, so this all sounds great in theory. But how do you actually teach this to a 12-year-old without making their head spin? You keep it stupidly simple. The worst thing you can do is walk up to a kid and say, “Okay, today we’re implementing a biomechanically optimized circular stride to enhance our kinematic sequence.” They’ll look at you like you have three heads.
Instead, use feel-based cues.
The main thing is to move away from the idea of a stiff, mechanical step. Encourage rhythm. Have them incorporate a little rhythm tap or a soft movement in their stance before the pitch. Hitting is a movement of athletes, not statues. The circular stride is just a more athletic, fluid way to start that movement.
Is this the only way to hit? Of course not. You’ll find great hitters with all kinds of quirks. But the evidence is building that for most players, moving away from a stiff, linear stride and toward a more rotational, circular pattern can unlock a more powerful, consistent, and safer swing. It’s about working with the body’s natural design, not against it. So next time you’re at the field, watch the feet. You might start to see the game in a whole new way.